Sunday, 30 November 2014

John Asfour

John Asfour photo by Rawi Hage









John's books [visit]

2012 CBC interview with John Asfour [listen]




Love notes:

Elegy, John Mikhail Asfour, Cousin + Poet, Halim Ina





vid one John Asfour  poetry in english

Tuesday, 25 November 2014

Goddess in the New World: Images of Mary

Our Lady of Saint John of the Lakes
José Aragón (active 1820-1835), Santa Fe, ca. 1825. Oil on canvas.

Our Lady of the Lote Tree
Melchor Pérez Holguín (active 1694-1724), Potosí, Bolivia, 1716. Oil on canvas.
“The people who made these paintings were moved by their faith,” Díaz said. “Even though many of them were struggling to exist, they made these wonderful works of art. And they give us glimpses of New World settings. You see Native peoples in their traditional clothes appear. We see mountains typical of Potosi, Bolivia. We see parrots and turkeys. And we experience the love of freedom in form and color found in the baroque style that New World artists often took to the extreme, with canvases exploding in decorative details and layers of iconography.”

read more:
Painting the Divine: Images of Mary in the New World

"Painting the Divine includes works from Spain’s three colonial capitals: Peru, Mexico and New Mexico."
More of the featured paintings/source for images + text:

Painting the Divine: Images of Mary in the New World



Friday, 21 November 2014

A moon made of copper


A moon made of copper

Thursday, 20 November 2014

First Book!

The many writers whooshing through the fair was in itself amazing, all kinds of writers and all genres. In the FNMI Circle we presented a new offering every hour through the whole weekend. We received many compliments on the lodge or livingroom we developed for the First Nations, Metis, & Inuit Circle author presentations, and many who came stayed, for the sheer joy of hearing from authors from many different traditions and at many different stages in their careers.

The First Book! panel was hosted by Jacqueline Guest, YA author of many books, most recently The Comic Book War. Four writers, each of whom was celebrating their first book, shared their stories...

Reneltta Arluk (poetry) received a call for submissions, via Richard Van Camp. She photocopied her whole stash of poetic writings, and shipped them off. About two months later, she received a letter: some of these are very good, but, some we cannot read at all. Would you be able to type them up and re-submit? Whoa, good idea! So she types up the pile of poems and sends it in again, and about two months after that, she received an offer to publish. Her book, Thoughts and Other Human Tendencies, was edited and published soon after, and has been translated into Cree, and will soon be available in French as well. 

Frank C Busch (novel) got an arts degree, but ended up working in financial fields, he describes himself as a (young) business man. TRC was looking for people with financial background to interview residential school survivors, and so he interviewed some 800 people about this most sorrowful aspect of their lives. He felt he needed to do something with this energy, but, he could not write the stories he'd heard, they were not his stories to tell. What he heard from the survivors was, "I want my culture back," so, with permission of his elders and nation, he wrote an adventure story that is steeped in his Cree culture. In looking for a publisher, he eliminated all those who required paper submissions, because he wanted a publisher that is comfortable in the online world and computer era. He wrote a book proposal, submitting summary and sample chapters. He said, "my proposal was hardly about the book at all, it was all about the marketing plan...." His novel, conceived as the first in a series, is called Grey Eyes.

Lisa Bird-Wilson (short stories) developed and polished her stories at university, and worked with a writers group to perfect them (alongside her self confidence). She was very downhearted with the art the publisher reccommended for her book cover, and she gathered her courage and took him to task: what about this cover art says this is an indigenous book? This is an indigenous book and i want people to know that, right up front! They agreed upon using a portrait by an indigenous artist, and doubled the image to make a very beautiful, eye-catching cover. Her book and stories won many awards and nominations, and she is most proud of the book cover on Just Pretending.

Cara-Lynn Morgan (poetry) likewise was at university, and followed the advice of a teacher-mentor to do a multiple submission (generally considered not a cool thing to do): yes, some rejected her work on that basis, but, she also connected with the publishing house that she needed. Although she was living in Victoria BC, she felt her work like her roots were a Saskatchewan story, and so she focussed on SK presses. Thistledown published her first collection, What Became My Grieving Ceremony.

Four first books, four different paths to publication. Here are the books:


Grey Eyes – Fernwood Publishing

Coteau Books - Just Pretending




Wednesday, 19 November 2014

First Nations, Metis, Inuit Circle @ InspireTIBF

JB photo
Inspire photo
Sidewalk Crusaders Inspire photo
Michael Kusugak Inspire photo

Reneltta Arluk Inspire photo


Lindsay Marshall Inspire photo
Lee Maracle Inspire photo


Political Panel Inspire photo
Monique Gray Smith Inspire photo
Waubgeshig Rice Inspire photo



Joanne Arnott JB photo

Paul Seesequasis Inspire photo 
Frank Christopher Busch  ~  book signings @ GoodMinds booth
 Inspire photo
 

Roy Henry Vickers & Robert "Lucky" Budd  Inspire photo
Cat Crieger & Roy Henry Vickers  FNMI Closing Circle Inspire photo





 John Barlow dropped by and shared a few pics (JB photos)

FNMI Working Group: Joanne Arnott, Paul Seesequasis, Reneltta Arluk
JB photo